Showing posts with label people of color. Show all posts
Showing posts with label people of color. Show all posts

Monday, July 31, 2017

Listen Up: Running on Rooftops

Hosted by Darryl & Phil, two big friends that are even bigger comic book nerds, Running on Rooftops specializes in discussing, analyzing and highlighting adapting comic book properties from the printed page to the silver screen (though they also cover television and Netflix adaptations too).

The most recent episode available does a deep dive on the recently released Spider-Man: Homecoming that's pretty entertaining to listen to. Whenever there's a major release on Netflix, they also invite a guest host onboard. The also have shorter episodes they call "Sprints" released on occasion.

You can follow along via the Running on Rooftops website, via iTunes on iOS or Google Play.

Listen Up is an ongoing series devoted to shining a spotlight on podcasts by diverse creators. You can check out all the podcasts previously featured here. If you have a podcast you'd like to recommend, post it in the comments or email me at shawnstruck at gmail dot com.

Tuesday, July 18, 2017

Listen Up: Black Media Minute

The Black Media Minute is a podcast that dives into the ins and outs of the media business with Black creatives and industry professionals. The show features interviews and analysis of books, movies and television. It's hosted by Kimberly Foster, who was named one of Forbes' "30 Under 30" last year. Every episode is packed full of probing interviews and insightful conversations with  people who shape the media landscape.

You can follow along at the Black Media Minute with Kimberly Foster website or via itunes.

Listen Up is an ongoing series devoted to shining a spotlight on podcasts by diverse creators. You can check out all the podcasts previously featured here. If you have a podcast you'd like to recommend, post it in the comments or email me at shawnstruck at gmail dot com.

Friday, July 14, 2017

Black Is Beautiful, So Why Do Video Games Lag Behind?

Yusef Cole and Tanya DePass, writing for Vice Waypoint, talk about the challenges black gamers and other gamers of color have in finding characters that look like them being rendered as well as their white counterparts-- if they're rendered at all. In looking at the challenges of bringing black player characters to the small screen they found the problem's roots in the silver screen in "Black Skin Is Still A Radical Concept In Video Games":

As we begin to see more characters in games who resemble us and more developers taking the time to think about us, a question worth asking is: How well do games visually represent black people and others with darker skin tones? The clues to begin answering this are situated in the history of film, a medium to which games owe much of their visual aesthetic.
Stretching back to the earliest instances of film photography, capturing darker skin tones has rarely been prioritized or even much considered... To this day, many black actors are underlit, even on big-budget movies and TV shows.
The film industry did not-- and still fails to-- prioritize taking care in rendering and lighting and considering how darker skin will look like in different scenes and environments. Video game development has a similar story, especially when it comes to 3-D rendering. But are technology limitations really to blame?
"I don't think technology is holding us back at all," [Shareef Jackson] posits. "We accomplish things with each generation. You can have hair and clothes flapping in the wind if you want. So if companies wanted to get it right, they prioritize it. Unless they have people on the team willing to call them out on it as well, it won't change." 
For Robert Yang, a game designer and professor at NYU Game Center, this prioritization is a natural outcome of the unchecked biases that lie behind the 3D technology that powers modern gaming. "When 3D artists test their new skin shaders, they often use a 3D head scan of a white guy named Lee Perry-Smith," he notes. "What does it mean if we're all judging the quality of our skin shader solutions by seeing who can make the best rendered white guy?" 
...Mainstream games with well-lit black protagonists like Mafia 3 and Watch Dogs 2 are proof that the technology necessary for lighting black skin is already there. Meanwhile, indie developers of color are forging their own path forward when it comes to depicting black characters of all shades in games. "People that are not black don't think about the different shades of blackness or browness," says Allen, "That's a problem."
Cole and DePass also spotlight game developers of color working to broaden video games' palette both literally and figurative and doesn't shy away from issues like colorism and developer forethought, either. It's a fascinating read, go go check out the whole thing.

Wednesday, July 12, 2017

Listen Up: The Young n Creative


The Young n Creative is a podcast dedicated giving people of color working as creatives across a wide variety of media a wider platform with which to share their passion. Every week the website focuses on a new "creative of the week" and the podcast covers up and coming and established artists of all kinds, from designers to disc jockeys give their perspective on what it means to be "young n creative".

You can follow along on The Young n Creative website, on iOS via iTunes or via stitcher .

Listen Up is an ongoing series devoted to shining a spotlight on podcasts by diverse creators. You can check out all the podcasts previously featured here. If you have a podcast you'd like to recommend, post it in the comments or email me at shawnstruck at gmail dot com.

Looking For Group: Gamers of Color Sticking Together

Image description: A tweet from twitter user sourcedumal that reads "when
there are 47 long flowing hair options in character creator but 3 natural hair
options: afros, cornrows, dreads. And they all look terrible."
Writing for Endgadget, Jessica Condit gave us "Gaming While Black: From Casual Racism to Cautious Optimism", and detailed how many gamers of color have either banded together or not engaged in voice chat just to be able to keep enjoying a hobby and form of entertainment important to them because social pressures and racial harassment follow them everywhere:
“The stories Allen could tell probably wouldn't surprise Dr. Kishonna Gray. Dr. Gray is an Assistant Professor at Eastern Kentucky University's School of Justice Studies, and the founder and director of EKU's Critical Gaming Lab, a hub for researching the immersive online environments within console gaming. She studies gaming and harassment from the player's point of view. "Most gamers of color have isolated themselves into private parties, private chats, or just don't engage verbally at all," Dr. Gray said. "And that's sad because they can't take full advantage of the gaming experience that they paid for. So what's happening is a virtual ghettoization of minority gamers. [...] Because a person's identity is automatically revealed when a person speaks, they are targeted. I call it linguistic profiling. As soon as someone hears how you sound, they engage in this practice. They hear how you sound and react based on that. So a lot of black gamers are called derogatory terms because of how they sound. They don't have to do anything but sound black."”
While thre are still some that would cling to the dismissive response of video games and online game not being a part of the real world, Dr. Gray disagrees:
"Gaming culture is a direct reflection of our society," she said. "The only reason racism and sexism run rampant in gaming is because racism and sexism run rampant in society. But in physical spaces, mostly, it's not overt. It's subtle. It's covert. So, yes, these issues manifest in a similar manner in gaming, but I contend that they present themselves worse. It's not subtle. It's in-your-face racism. A black person may not be called a [n word] to their face, but they can almost guarantee it will happen in virtuality."
Although the article was written in 2015, not much has changed. The entire article is a fascinating read, so go read the whole thing.

Friday, June 23, 2017

Listen Up: Black Nerd Power

Black Nerd Power is a weekly podcast hosted by Markus Seaberry, Malaika Salaam and Richard Douglas Jones. They discuss the worlds of comics, pop culture, current events, sci fi & fantasy from a black nerd point of view. They are all incisive, witty and laugh out loud hilarious. They were voted Memphis' best podcast last year. Just give an episode a listen and you'll hear why-- the rapport is breezy and chill while also being friendly even when there's some verbal sparring going on. Nerds have never sounded this cool, but Black Nerd Power makes it effortless.

You can listen along via the OAM Network's Black Nerd Power page, or via iOS on iTunes.


Tuesday, June 20, 2017

2017 Game Devs of Color Expo in NYC This Week

After a successful inaugural event last year, the Games Devs of Color Expo returns to New York City this year on June 24th. Createdby developer and industry vet Catt Small, the Game Devs of Color Expo lets people of color in the games industry network with each other, present their work in a professional space, and get feedback directly from consumers. The GDoCExpo will take place at the Schomburg Center for Research in Black Culture, a historic venue that can hold up to 700 people. To keep the expo accessible, student and low-income attendee tickets are $5 while general tickets are $20.

In addition to game demos and exhibitions, GDoC Expo is hosting five educational talks about game development and four panels about various parts of the game development process. In a win for accessibility, all talks and panels will be live-captioned, and the entire event event is wheelchair-accessible. There are 31 free to play games and game demos at the Expo, as well as several "micro talk" 10 minute presentations, industry development panels, and an evening after party at Babycastles gallery.


Thursday, May 18, 2017

Why Are There No Black Family Emojis?

First created by Shigetaka Kurita in 1999, emojis have come a long way. From little unicode-based pictures and ideograms used by a savvy few to what looks to be a thoroughly forgettable animated movie and novelty pillows shaped like cartoon poop, emoji are used millions of times a day. Once broad-based support was added for emojis in 2015, the use of emojis have almost become a language in and of themselves.

Since there are a lot people emojis, there has been a lot of controversy over representation and what is seen as the default. For example, "Family" emojis at first didn't depict same-sex couples, and after outcry and discussion, these options were added to the Unicode standard. It makes sense, after all. If there's a way to show a person, you'd like that person to look like you, right?

So why aren't there options to make black family emojis? Jeremy Burge, writing for emojipedia says:
[O]ther emojis all have a choice of skin tones. Why not the families? The answer is that black family emojis are already possible. Unicode supports the sequences required to make emoji families with any combination of people or skin tones.
In 2016, Microsoft used these ZWJ sequences to create white families, black families, and all kinds of variations in between in an update to Windows 10.
When Unicode 8.0 was rolled out in 2015, in addition to adding in stuff like a taco emoji🌮 , the standards group also added in a way to give the human emojis human skin tones in the following ranges: 🏻 🏼 🏽 🏾 🏿.

However, there is currently no way to apply these to the family emoji-- either as a whole or for individual family members. Instead, the family emojis are displayed according to one standard- that the skin tones be rendered in pure yellow. Superficially it might make sense-- after all the smiley face is the same yellow. However, that sort of falls apart after even some cursory consideration, because whiteness is usually taken as the default, even with the "cartoonish" yellow. Look no further than the Simpsons! And as emojipedia pointed out on twitter:
Over 35 percent of Americans identify as a race other than white and while they can text a single emoji that closely resembles their skin color, they can't use it for couple or family.I don't know about you but "it's so hard" isn't an acceptable answer for not including black families, and it seems more like an excuse that reeks of 💩.

Wednesday, May 17, 2017

Why Do Teen Dramas Keep Sidelining Black Characters?

Bianca Lawson as Kendra Young
from the second season of Buffy
The Vampire Slayer
Writing for Vulture, Angelica Jade Bastién, talks about hear love of teen dramas, starting as a teen watching The Craft and shows like Buffy The Vampire Slayer when she was a teenager herself. She's remained a fan up to the present day, but she's found that a problem she had with shows in her teens persists in shows today: it's really hard to find characters of color that get as much development in ensemble dramas as their white counterparts. djdjdjdj, :

[B]lack characters are often solely given an arc in relation to the white characters around them... In many films and TV shows, this is also used as a way to discuss racial politics...This may seem radical for the predominantly white filmmakers who work in this genre, but it’s important to remember that black girls’ lives aren’t solely defined by racism. We deal with romantic foibles, desires, and fears just as richly complex as the white leads this genre focuses on to the detriment of the black girls coloring the margins.

Bastién mentions the latest teen drama to start with a promising introduction, only to fall to some of the same problems: CW's Riverdale and the show's introduction of Josie and her bandmates The Pussycats:
K. J. Apa, who plays the remarkably befuddled (and ripped) Archie, is half Samoan. Veronica is Latina. Reggie is played by an Asian-American actor. And most notably, not one, but all of the members of Josie and the Pussycats are black, a change that eschews the tokenization previous iterations of the group have displayed. But as Riverdale approaches the end of its first season, it has reaffirmed some of the age-old problems within the genre... At the least, Riverdale’s Josie, Valerie, and Melody aren’t stereotypes, but they rest in the same troubling space that the black girls in films like Save the Last Dance occupy. They’re not characters so much as they are a vehicle for a Message. Josie and her fellow pussycats are positioned to communicate the message that Riverdale is more modern and inclusive than teen dramas of the past, even though it has yet to prove it beyond its casting.
Heck, in the comics and cartoons, Josie and The Pussycats were mystery solvers. Riverdale ended its season with a murder plotline that's been weaving in and out of the story all season, but Josie and company have been seemingly shunted aside. Bastién name drops The Craft, Buffy and Bring It On-- what ensemble shows do you think dropped the ball with characters of color? Did the writers fix it? What would you like to see, dear readers?

Tuesday, May 9, 2017

Writers of Color & Craft: An Invisible Archive


Neil Atkin-- a great translator and poet in his own right-- writes about an amazing and sorely needed collection project that I wanted to signal boost:
A couple weeks ago I was thinking about how Junot Diaz often comments on the fact he’s almost never asked to speak about craft, and instead always is asked to talk about race, identity, and the immigrant experience. And it’s true — when I think about all the books on writing craft I’ve read or heard about over the years I’m struck by how few POC-authored books on writing I’ve seen. 
Are they really that rare? Or are the books and essays out there, but we don’t know where to find them? 
This list is an ongoing project to catalog what writing resources are out there.
You can check out the compilation he's assembled so far right here.




Friday, October 7, 2016

Tech Sector's Diversity Problem: White People Still Aren't Listening

Description: A bar graph shows a demographic breakdown of employees at tech companies. Apple is 80% men, Microsoft and Google are 83% men,  Facebook is 84% men and Twitter is 90% men. Continuing the demographic breakdown, Apple employees are 54% white, 21 percent are Asian, 6 percent are Hispanic, and 3 percent are black and 165 are other.

The above graph from a Mother Jones article about diversity in the technology industry in general and the Rev. Jesse Jackson's outreach work in Silicon Valley in particular last year showed that for all the publicized diversity initiatives, tech has a LONG way to go before achieving any sort of equality or parity. So, a little over a year later, what's changed?

Not much.

Twitter has historically been the worst of the high-profile tech companies, with an employee workforce that's 90% male, and majority white, with Black employees making up just 1 percent of the workforce.  Janet Van Huysse, who was the Vice President of Diversity for Twitter spoke in 2014 about working to improve diversity. In 2015,  with Twitter no further along aside from very vague plans to increase hiring “marginalized groups” in their US offices, Van Huysse resigned after Twitter's numbers didn't even budge after 2 diversity initiatives and the traditional university graduate application rush.

Van Huysse-- a white woman-- was replaced by Jeffrey Simonoff as Vice President of Diversity. Simonoff is a middle-aged white dude.

Whoops.

It gets worse.

Leslie Miley wrote about his departure from Twitter due in no small part to the racism that went on behind closed doors even as the company benefitted from use by citizens and activists in Ferguson and the Black Lives Matter movement . An excerpt :
Twitter’s issues with growth and engagement and the issues with internal diversity are somewhat related. The over-reliance on a limited number of schools and workplaces for talent has caused a type of group think to dominate. Any change would be approved by people who all think alike. There was very little diversity in thought and almost no diversity in action. To quote Mark S. Luckie “Without a variety of voices contributing ideas, the workplace becomes a homogenized environment where potential brilliance may never be achieved. Diversity should rightly be seen as a benefit to growth, not an obstruction to avoid.” For some at Twitter, diversity is an obstruction to avoid.
 Once Miley left, Twitter management was left without any directors or vice presidents of color in any of the product management or engineering divisions.

While Twitter may have the most egregious examples, as evidenced by the graph at this article's beginning, it's not the only big-name tech company to have a serious diversity problem. Instead of listening to people of color, though, many tech companies have been hiring teams like "Paradigm"-- a company that “uses social science to increase diversity”... run by three white women and a white man. After some bad PR, they hired one woman of color as a partner, and two women of color as consultants.

This glaring blind spot extends to some of the largest tech events, too-- even in places where ou'd least expect. The annual "Grace Hopper Celebration Of Women In Tech" didn't have any black women speaking or conducting talks. In fact, it was ZERO women of color and a few dozen white men spoke at least year's event! In fact, as this storify link points out:

500 speakers were req'd to buy tickets to conf they're speaking at for a conference heavily targeting students, & of 12,000 people who belong to a demographic that's systematically underpaid.
There are >900 confs for professionals in coding. I know of ~3 that charge speakers for tickets. GHX is one. Pay gap makes that esp uncool. Black women are paid 64% of white men. Hispanic&Latina women are paid 54% of white men. Charging to speak ENSURES under-representation.
...which is what prompted last year's NOTGHC counter-conference, organized by disaffected women engineers of color. Yeah, that's right, the whiny baby attitude of "oh, if you want diverse things, go make your own" has extended to engineering conferences, and once again when people of color DO make their own thing, they get the backlash of everything from being "not organized enough" to "being too exclusive"! GHC still charges speakers to pay, by the way.

Fellow white people, if you think that this lack of diversity only matters in boardrooms and doesn't affect people's real lives, think again. Last year at Dragon*Con, which is a sprawling nerd convention that lasts for days and temporarily takes over most of city downtown, automatic soap dispensers wouldn't detect black peoples' hands. The CEO of the soap dispenser's parent company had to admit that they never really thought to adjust the infrared sensors beyond a certain range. And if you just found out about this now, from me, a white dude? That's part of the problem!

The effects on health runs deeper than un-soaped hands. Erica Joy wrote about the effects tech culture's isolation and alienation of her as a black women impacted her health:
“The stress and isolation I mentioned have really taken their toll on me. Long term stress is known to cause health issues. Not long after I started working in New York, I developed heart problems (PVC’s). About 3 years ago I started to get acne, something I’ve never had in my life. I always thought it was hormonal but now recognize that it happens when I’m stressed. The isolation and resultant loneliness have exacerbated the stress, leaving me in constant fight or flight mode… I know this: I am not my job. I am not my industry or its stereotypes. I am a black woman who happens to work in the tech industry. I don’t need to change to fit within my industry. My industry needs to change to make everyone feel included and accepted.” 
She's right, of course. Cameron Glover said it best:
Without consequences and more nuanced understanding of different perspectives and cultures, we’re left with a tech culture something akin to a leech: the best parts of marginalized workers are taken, and we are left feeling like victims and stripped of our power.

Wednesday, January 20, 2016

Historical Fiction, Cultural Revolution

Photo credit Joan Marcus
Let me tell you what I wish I’d knownWhen I was young and dreamed of gloryYou have no control:Who livesWho diesWho tells your story?
--"Who Tells Your Story", Hamilton

My interest in historical biographies, the meta-ideas behind historically-based fiction, and whose voices and contributions are remembered or ignored was sparked over the summer and fall by the hottest musical on Broadway: Hamilton. I fell in love with the soundtrack, and then had the mind-blowing opportunity to actual see it in person this past fall. So much of the musical as it is written and cast is relevetory: a story about the Founding Fathers in general and Hamilton in specific. It stars a cast that is predominantly people of color, drawing from African-American pioneered and influenced styles from Dixieland jazz to hip-hop. As Disha Jani writes in “Who Tells Your Story?”: Historical Fiction as Resistance" for The Toast, there is an important difference in historical fiction. She believes it has the power to change not just historical narratives but cultural ones as well.
...historical fiction can be a form of resistance to a homogenizing view of our world and our past. There are certainly more immediate and material ways to resist oppression — legislating, organizing, protesting, boycotting, and mobilizing are very powerful ways — but sometimes, just existing and living your life, having your story told, can have an impact. 
...People have always found ways to live and find meaning and challenge oppression, and part of our job is to seek them out and tell their stories. They existed, and it’s our job to find some way to understand… 
When these same narrative and imaginative tools are used by historians, it can help deliver a blow to the insidious assertion made in nearly every grade-school classroom – that we’re supposed to relate exclusively to dead rich white men because they created everything of value. Sometimes we do relate to them, because our experiences meet somewhere in the space between the living and the dead. At other times, we yearn for someone to relate to who is a little bit more like us, whatever that may mean. To find them, we may have to first find an interlocutor – an historian, or filmmaker, or composer – who has decided to reveal this someone to us. If the interlocutor cannot find the kinds of records that are left behind by the lettered, important few, they rely on other sources.
The entire article is brilliant. Read the whole thing!

Monday, September 7, 2015

Black Storm Troopers, White Washing & Spec Fiction

Description: In a still from "Star Wars: The Force Awakens"
a young black man in scuffed white storm trooper armor looks
off screen in disbelief.
Wendell Bernard Britt Jr. writes for medium.com just what John Boyega's casting in the much-anticipated Star Wars: The Force Awakens means not just to him personally as a fan of color, but the impact representation has on speculative fiction in particular:
I’ve been a Star Wars fan for as long as I can remember. One of my earliest memories was watching a drive-in double feature showing of Disney’s The Lion King and Star Wars: A New Hope. My ideas of right and wrong, heroism, self-sacrifice and discipline all come from these movies... 
The first character in the trailer is a harried and exhausted looking John Boyega decked out in a Stormtrooper outfit, and I did all I could do to contain my glee. When I had heard that Boyega was cast to be in the movie, I had assumed it would be in a supporting role, much like Billy Dee Williams’ Lando Calrissian before him. Disney had just dropped 4.4 billion dollars on the franchise, and they only had 1:33 seconds to wow their entire fan-base. To waste those precious seconds on a bit character would be completely irresponsible. Then my brain caught up with what I was seeing. Was it possible that a black character is going to be the protagonist of Star Wars?
This leads him to wonder-- when black people make up 12 percent of the US population, and black people account for 13 percent of  all ticket sales nationwide, why are are there so few characters of color? What effect does that have on who's seen as a hero? What's the response? He goes on to explain that:
Occasionally an enterprising white writer will include black people in fantastical genres. When this happened white audiences tend to have explicitly negative reactions to them. Much like the general public’s reaction to a black person being cast as a Stormtrooper, Hunger Games fans took to Twitter outcrying the casting of Amandla Stenberg (black) as Rue (a character from the predominantly black 8th district from the books). 
For some Americans, understanding, empathizing with and even imagining a little black girl in a fantastical land was beyond possible. Not only did readers fail to register Rue’s blackness, they became upset when they were confronted with it on screen.
The entire article is an illuminating musing, both personal and professional, on what this split means to him, and is well worth a read.

Monday, August 31, 2015

Super Powers, Super Mom: Raising Dion Now Online

Description: A young black boy faces the camera, giggling. He closes his
eyes, then disappears with a puff of black smoke. He reappears on the other
side of the room, suddenly reappearing in front of his mother, who drops the
bag of groceries she was holding in surprise.
Many young children dream of having super powers. Many people compare parents to super heroes. So what do you do when you have to raise a child who has all the normal evergy and curiosity and fears of any other... but also a bevy of barely-controlled super powers? These issues and more are being tackled in xxxx xxxxx 's new comic book series, Raising Dion.

Raising Dion offers a novel way to look at so many issues and ideas: super humans in society, superpowers and how they affect relationships, the challenges of parenting, and race in American society.

In particular, Dion's mother tells him not to use not use any of his super powers in public addresses how society implicitly judges his as a black child and explicitly how he is judged as a super human in a comic book world. It also echoes "The Talk" that parents of color have to have with thier kids about encounters with the police. As Raising Dion's artist Jason Piperberg says in an interview at Fusion.net:
“Traditionally in comics and really most stories, the protagonist is the one with the powers,” said Piperberg. “You see the world through the eyes of the character with all the abilities usually because they are immediately the most exciting and/or interesting person in the story.” 
... “I think a lot of people still don’t get that The Talk is a real thing that black families have to have,” said Piperberg. He admitted that initially the parallels weren’t all that clear to him either. “I think it’s really important to step out of my bubble of privilege to see what’s really going on. To discover and look at injustices that have been swept under the rug, or worse, accepted as the norm by society.”
The first issue of Raising Dion is available online to read for free.

Wednesday, August 26, 2015

Newly Discovered Pics: Victorian Women of Color

Description: Black and white photo of an unidenti-
fied black woman in Victorian era fancy dress sitting
for a photo portrait.
The website Dangerous Minds reports on some recently discovered and unearthed pictures of photographic portraits of some very elegant women of color from the Victorian era. Sadly, information on just who these women were are thin on the ground. Hopefully some historians or genealogists might be able to shed some light on the identity of these unknown and dashing people.

As Dangerous Minds reports:
Here are some photographs of Victorian women of color that date from 1860 to 1901. Unfortunately, a lot of these photographs have no names attached to the women posed in the photographs.
I’d love to know the stories behind each photo. What each woman’s life was like. Sadly, we’ll probably never know... Photos of Women of Color from this era are hard to come by, especially “family” photographs.A [few] of these photos were taken when there was still slavery in the United States.
These photos being shared online are very striking. These photographs could also give plenty of inspiration for steampunk and steamfunk fans, creators and writers. You can check out the full set of pictures here.

Monday, August 24, 2015

Group Helps Black Girls Code & Grow Right Now

Technology companies in the heart of Silicon Valley are the movers and shakers of the US technical industry. Where there have been rumblings over the past few years trying to spearhead efforts to get companies to diversify the workforce, most tech companies have been pretty tight-lipped about real data. What data they have released shows that less than 13 percent of computer engineers in the Valley are female and even less are women of color. We don't know how many there are for sure because, again, companies aren't giving out hard numbers.

National Public Radio recently released a story about the non-profit group "Black Girls CODE", and some of the activities they do to help foster a passion for technology and a love of learning:

Black Girls CODE's Summer of Code included project-based camps in the Bay Area as well as Washington, New York City and Raleigh-Durham, N.C. The group says camps offer a place where "girls of color can learn computer science and coding principles in the company of other girls like themselves and with mentorship from women they can see themselves becoming." About half of the girls participating received a scholarship to attend.
You can listen to the audio report and read more about Black Girls CODE and other non-profit groups here.

The Real Winners & Losers of the 2015 Hugo Awards

Description: The official Hugo Award logo: a black &
gray stylized shape reminiscent of a rocket ship.
The Hugo Awards, nominated and voted on by science fiction fans have a tradition going back over 60 years. Winners are a who's-who of science fiction autnors, Ellison, Bradbury, Asimov, Clarke. Heinlein. Over the years, the sci-fi genre has expanded to include more of it passionate fans who become writers and storytellers-- women, people of color, gay and lesbian writers, and on and on-- which means the Hugos have changed, too.  Of course, this year has seen plenty of controversy as right wing and neo nazi hate groups have attempted to game the system under the Rabid Puppies (and companion group Sad Puppies)-- this blog has written about it here, here, here and here.

This weekend, at WorldCon, the 2015 Hugo Award winners were announced, and both who did win, and who didn't win are equally as important. Sad and Rabid Puppies slate pushers were able to steamroll a number of their favorites onto the ballot... but none of the Puppies-endorsed faves won any awards (which were chosen by the popular vote) with one exception-- "Guardians of the Galaxy"  won for best Long Form Drama. Considering that "Guardians of the Galaxy" was a mainstream blockbuster sucess and had no overt political agenda, it looks like the Puppies' crusade was a wash. In fact, it was less than a wash, it was a gap.

See, in 5 different categories, the overwhelming majority of voters actually chose "No Award" rather than award something to a category that had nothing but Sad/Rabid Puppy nominees. The most damning "No Award"award was when the Sad/Rabid Puppies slate put author and bipedal garbage can John C. Wright on the ballot for 3 different novellas at the same time and he still couldn't get a win.

Here are some standout winners:

  • Cixin Liu's Chinese bestseller The Three Body Problem won in the Best Novel category
  • Dutch author Thomas Olde Heuvelt won Best Novelette for The Day The World Turned Upside Down
  • Ms. Marvel, a comic series I've covered previously here and here, won for its first collection,  "Vol. 1: No Normal" won the Best Graphic Story award
  • Orphan Black won for Best Short-Form Dramatic Presentation, unseating perennial favorite Doctor Who
As I pointed out, the Sad and Rabid Puppies may have lost this orund, and they could try and do this again next year. But for now, it looks like this year's results are a pretty solid rebuke of the Puppies' agenda.

Thursday, August 20, 2015

Harry Potter and the Invisible People of Color

Description: From left to right are screenshot of the character of Lavender Brown from the Harry
Potter movie series In the first two pictures, she is played by a black girl. In the 3rd picture, the character
is portrayed by a white girl. A comment sarcastically asks "Did she get a haircut".
The Harry Potter film series has been a worldwide blockbuster, spanning 8 films and a cornucopia of related merchandising tie-ins. The entire series has many allegories for hatred, genocide and racism. Which, as the Every Word Spoken project points out, is really weird considering that there are so few characters of color in the movie series, and the characters of color that are in the movie barely have any speaking lines. They released a video supercut tallying up how much screen and speaking time people of color got across the entire 19 hours & 39 minutes of the films. POC speaking time, in comparison, was just a little over 5 minutes and 40 seconds. Here's the video:



The tally:
  • Total POC talk time: 5 minutes and 40 seconds
  • Total run time of all films: 1,207 minutes
  • That comes out to 0.47% of screen time in which POCs speak throughout the entire series. This is split among 12 characters and 13 actors (Parvati Patil was played by two actors, Sitara Shah & Shefali Chowdhury)
  • Of these 12 characters, 2 were CGI bodies voiced by POC actors (Firenze & Shrunken Head)
  • On average, each POC character speaks for 28.33 seconds. 
The books aren't that much better, sadly. Looking at the 200 most mentioned characters in the series, here’s what you’ll find:

  • Number of POC characters: 9 (4.5%): Cho Chang, Dean Thomas, Angelina Johnson, Parvati Patil, Lee Jordan, Kingsley Shacklebolt, Blaise Zabini, Padma Patil, Hassan Mostafa 
  • Number of POC characters in the top 50: 2 (#44 Cho Chang, #45 Dean Thomas)
  • Number of non-human characters in the top 200: 26 (13%)
  • (4 more characters are described as being part giant or part veela, but are white-appearing.)
As they point out this means that even in the books, there is better representation of centaurs, house-elves, giants, and goblins in this series than there are of human characters of color. Dobby and Kreacher in particular get way more page time and deeper character development than any of the POC characters. And unlike the series you can't fixit by waving a wand, but maybe we can address it better by pointing it out so the next fantasy series has plenty of different kids from all sorts of backgrounds, too.

Wednesday, August 5, 2015

Why "I Don't See An Author's Race" Is BS

DescriptionL A young white man and a young black woman are facing one another, with the white man covering the black woman's eyes and the black woman covering the white man's eyes, preventing them from seeing each other.

Tumblr user theawesomersace (whom you might also know as part of The Awesome Sauce on BookRiot) discovered something interesting recently after two similar tweets were responded to in very different ways. The first tweet simply asked their followers to name their favorite science fiction or fantasy author of color. Later in the afternoon, they asked twitter to name their favorite white science fiction and fantasy authors, and the responses she got this time were altogether different and unexpected:
Some people thought I was being sarcastic. Others said that is was a terrible way to label an author. "I hope I’m never labeled that way"... “I don’t see color," "I just read good books," "I don’t know what color my favorite authors are," "What does an author’s race have to do with anything?...  people either didn’t like me labeling white authors as white or they thought race was unimportant when discussing authors or they didn’t like having to admit that they had a favorite white author.
I remember a bunch of similar responses a few years ago, when during the usual pre-game banter in my gaming group, I mentioned I noticed I hadn't been reading any authors of color without even realizing it, so I went looking for some and found some really great fantasy and sci-fi! Before I could even begin to talk about books themselves, others in my group (all white) had pretty much the same reaction. I see it all too often in discussing race in creative works, and I used to believe it too: "Oh, I just read stuff. I don't notice race. I'm colorblind."

They put forth the idea that this ideal that isn't really ideal is present in society at large which is why it "... so heavily influences our current publishing climate, is the belief that by default an author is white unless otherwise specified [and] why authors of color are shunted off to imprints and shelves marked "Certain Marginalized Group" Literature and why discussions of “quality” and “taste” center around a white, masculine narrative.  This is the key to why representation within publishing is so dismal: there are (white) authors and then there are all of the other special categories. And when we’ve checked a box in one of those other special categories, we’re done.

To be colorblind at this moment means that you aren’t willing to take any of that background into account when choosing something to read... White is not the default. And we all need to work better to make sure that is reflected in the media we consume. "

So, readers, what are your thoughts? What are you doing in your nedia and reading habits to change things, even if just for yourselves?

Friday, July 10, 2015

New Trailer For Floyd Norman: An Animated Life

Floyd Norman made history when he stepped on the Disney lot 58 years ago as the studio's first African American animator. He's been a Disney writer and storyboarder on everything from "The Jungle Book" to "Mulan" and everything in between. He maintains a fascinating blog, and now a documentary based on his autobiography and reflection on his time spent at Disney is soon to be released.

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